Participants may come from architecture (mainly), but may also have a fine arts and design background.There will be a maximum of 11 participants in the group.Some entries will be available for staff from other design or art departments in the Association K.U.Leuven (product design and fine arts) and for international researchers.
The first series consists of 4 workshops in the course of 2009-2010. Each session starts on Thursday evening and goes on till Saturday afternoon.Each session will be chaired by two complementary people with either international, academic experience or with an extensive design practice and research into practice.Each session is preceded by some input (by mail) from the session chairs towards the participants. A session will be followed by assimilation and a ‘tuning’ process through email communication with the chairs.
Session 1: November 2009
Session 2: January 2010
Session 3: April 2010
Session 4: June 2010
Session 1: CommunicationSession 1 deals with methodologies for furthering knowledge from research, design and practice and with methods to support communication of knowledge. The thread in these sessions is the field of tension between ‘content’ and ‘media’.
Session 2: KnowledgeSession 2 treats different forms of knowledge and how these forms originate. There will be a specific focus on the forms of knowledge present in the domain of architecture and design and on the underlying knowledge processes.
Session 3: ReflectionSession 3 focuses on forms and processes supporting and stimulating reflection, furthering knowledge through a more developed insight. There will be specific attention for practice and design activities. Session 4: Design
Session 4 will mainly focus on applied research and research through/by design and on the artistic creation versus the scientific creation. Different forms of design processes and how they will further the generic knowledge will be discussed.
Each session will be chaired by 2 complementary tutors. Session on communication: Gerard De Zeeuw and Rolf Hughes Session on knowledge: Halina Dunin Woyseth and Fedrik Nilsson Session on reflection: Ranulph Glanville and Adam Jakimowicz Session on design: Ömer Akin and Burak Pak.
A publication with the results of each session by the participants and the chairs.
All candidates apply by mail at the following address: maaike.waterschoot@architectuur.sintlucas.wenk.be
Gerard de Zeeuw studied at the Universities of Leyden, Rotterdam and Stanford (mathematics, statistics, econometrics, psychology). He did his Ph.D. at the University of Amsterdam. His main work has been in the understanding of research methods as applied in the social sciences and as related to the use of their results. He is a retired professor at the University of Amsterdam (since 2001), and was director of the Center for Innovation and Cooperative Technology in the Faculty of Mathematics, Computer Science, Physics and Astronomy. Since 1994 he has been Visiting Professor at the London School of Economics, and at the University of Lincoln and Humberside.
Dr. Halina Dunin-Woyseth is an architect and professor at the Oslo School of Architecture and Design (AHO). Since 1990 she has been the founding head of the School’s Doctoral Programme with over 40 Scandinavian and international PhD students. The Programme is opened to PhD students recruited from various “making” professions such as artists, designers, architects, planners, art and design educators and engineers. Her professional, teaching and research experience originated in Urban Design and Spatial Planning-related issues. She has a broad teaching and research practice from Scandinavia and other countries. During the recent decennium she has been mainly involved in issues of knowledge in the design professions. Since 1991 she has edited and co-edited the journal Research Magazine, which documents the development of this field of inquiry in the context of vocational and research education. She has lectured extensively at the doctoral level and supervised PhD students in Norway and abroad. She has successfully served as a main doctoral supervisor for many PhD students as well as been external examiner at numerous public doctoral disputations in Norway and abroad. She has been commissioned as an evaluator by several research councils in Scandinavia and has also experience from assessing EU-funded research.
Ranulph Glanville has, over the last decade, worked as a freelance, vagrant professor, mainly commuting between the UK and Australia. In the UK he works at the Bartlett, University College London, where he teaches cybernetics. In Australia, he has had a major part in the development of the extension of the Invitational Masters through Practice to the Doctorate through Practice at RMIT University. He also works with other universities helping them develop research, and new courses and projects, particularly the Universities of Western Australia, Canberra and Monash University, Melbourne. He has written on Design Research for over quarter of a century, early on introducing concepts such as research as design and the importance of finding appropriate theory for design within design, rather unquestioningly than importing theories from other subjects. He has a long term working relationship with Johan Verbeke and, through him, with Sint Lucas Architecture. At the moment he supervises PhD students on 4 continents
Diploma – Bialystok Technical University, Faculty of ArchitecturePhD – Warsaw Technical University, theme: “Sources of the Deconstructive Attitude in Contemporary Architecture”Research interests: Theory of architecture (esp. poststructuralist approaches in arch. theories), digital media in design (interpretative and intuitive approaches to digital environments and tools in design)Several publications on digital media in architecture, architectural composition, innovative teaching methodsSeveral international exhibitions: - 1987 - ”Sztuka To Zamach Na Wszystkość” - performance (with J. Radulski, A. Kadysz), Bialystok- 1988 - "Some ugliest pictures of your ugliest face" - Berlin- 1988 – performance and sculpture exhibition, with Volker Nikel, Berlin- 1994 - "E-mail art" – Bratislava, Wroclaw- 1994 - "Abstract modelling"- Glasgow and Luneburg- 1995 - "CAD Works " - Zurich (team)- 1996 - ”Electronic temple Bialystok, Poland- 2004 – „Minimal Landscapes”, Brussels- 2005 – „X-Landscapes”, Lisbon Several International research projects on CAADScholarships at the British Council – University of Porstmout and EU Tempus phare Individal Research grant – study period at the Berlage Institute, Amsterdam.
social roles for the development of the Information Society Technology and the New Media Culture.
Dr Rolf Hughes, born 1963: BA Hons. (1988), MA (1989), Ph.D. (1994) is a senior researcher at the KTH School of Architecture examining concepts of authorship, intellectual property ownership, and judgment in the formation of professional knowledge as part of the collaborative research project Architecture and its Mythologies (funded by the Swedish Research Council, 2003-2005). He also heads the practice-led research project Auto-poiesis and design: authorship and generative strategies (funded by Swedish Research Council 2005-2007), which examines machine creativity, new media and “post human” design. He has co-edited two collections of interdisciplinary essays: The Book of Models: Essays on Ceremonies, Metaphor and Performance (Open University, UK: 1998, reprinted 2003) and Hybrid Thought (Open University, UK: 2003) and his current research interests include interdisciplinary methodologies, practice-based research, and the pursuit of innovation within reproductive cultures of the copy. Rolf Hughes teaches a course on Practice-Based Research Methodologies at the Konstfack University College of Arts and Crafts in Stockholm and is a member of the board of AKAD (the Swedish Academy for Practice-Based Research in Architecture and Design). See:
www.akad.se <http://www.akad.se>
www.automatic.se <http://www.automatic.se>
www.auctor.se http://www.auctor.se